Friday, December 5, 2008

By Craig Arnold

from A Place of First Permission

AT a still point of the turning floor
there is a dancer you would know her
even across a crowded room
the way she sways is so familiar
She weaves with the easiness and grace
of someone so completely in
possession of her body the beat
she lays down with her hands and feet
is all that keeps the cosmos in its groove

She is a lash of flame
spiraled to fire-colored hair
Her hands unfold a flower out of the air
If you reached out to take it if you came
closer you would liquefy like wax
pooled in a candle's crater you would spill
past possibility of shame
She says
Smoke me a bass line to go with that
thick as blackstrap molasses she says
Give me the buzz of oboe between your lips
the tingling tambourines the sweet
percussive patter of palm on palm she says
The whole world is poured into the deep bowl of my hips

Now get on up she says and shake
the creases out of your clothes she says
Your life is nothing but the thread
you spin behind you every step
a turn a loop a figure-eight
until the day that blind witch Fate
opens her scissors and snips you dead

What would you do if you could take it
between your fingers if you could feel
every knot and snag and tangle
loosen and gather softly round the spool
What would you do with such permission
how far would you wind it what decision
you made or didn't make

You can sit the next one out together
here at this table you can share
a glass of white vermouth pretend it's absinthe
green as venom green as Eden
seawater wormwood pine-needle
and watch the dramas and the comedies
playing around you you can ease
into one of those silences
that never feel the need to fill
And you can say what you've been so afraid
to put in words what's tied your tongue
for years of useless reasons and excuses
the apology you never made

Love from you I learned
to dance you taught me with your body
and not words your movement answered
mine and mine yours you gave me back
to my own body we passed between us
all the speechless gestures of admiration
of those early in love who aren't yet
careful to say so much and no further

But each time we kissed you kept your lips
closed however much I pleaded
Open the petals of your mouth for me
you never let them part I thought your heart
too was closed I was afraid to see
how happily you would have offered
everything had I done the same

Love forgive me all I've given
has been a form of taking
talking over a table of scarred wood
talking always about the table
I've held out my hand and drawn it back
in case you took it always afraid
to take away the table altogether

You laid a coal on my lips you made me
bend my chromatic into blue
You taught me how to spin my line
back and forth in a broken prayer
and give it to the all-assuming air
Now here it is my gift to you
if you will take it oh my Ariadne
my muse my lady jane my valentine

She takes your hand her thumb circles
lightly over the backs of your fingers
How have you never noticed
the sweetest galaxy of freckles
scattered across the fine skin of her wrist

Outside the ragged trickle of the rain
the dark snarl of branches the blades of grass
bend and flutter caught in the wind
that sweeps over the wake you leave behind
As if it all were bowing briefly
toward your passage nodding as if to say
Yes you're going to get away
with everything

As if the dancers
happy or disappointed loving or leaving
their voices the red velvet curtain
swaying from side to side the broken glass
the girl you loved and you and the whole train
were nothing but a line of thread
licked twisted drawn through
the eye of a needle and slowly pulled
another stitch in the cloth of the world
that is all stitches a piece of string
lost in the weave never to be untangled

Look did you see it
The eye blinks
and the bud of the moment blows open
shakes off its sleepy petals
and you are sitting there
listening to a girl in a pink sweater
gossip into a phone
and she gets off
at the next stop (there is no keeping her)
leaving a dimpled seat a hole
shaped like her in the air a long blonde hair

and the smell of rain in wet wool

Saturday, November 29, 2008

Voice, Distant, Still Assembling

Voice, Distant, Still Assembling
Mark Irwin

Walking farther there, I am glad we
age slowly, discovering now in memory
similar frontiers of a physical world, visiting
as though for the first time
ruins of a once great city, yet novel


in the crumbling light. We trip
and stumble, unaware, youthful in the obscurity
of shadow, a kind of spring
in itself. Itself, where I touch places, gone, often
confused to find a new home
not torn and built of green
, but of a crumbling


orange, and there, there, as though walking
through fire, taking pleasure in the fleeting
walls and lingering agoras, I glimpse
ghost bodies and caress the flesh
boats of their past as I walk toward
what could be mountains or oceans, till finally
I am swimming through the lit window of a name.



-----------
happy thanksgiving everyone! Gobble. Gobble.

Sunday, November 23, 2008

A Window of an Instant, by Daniel Brown

A Window of an Instant

I'm striding down the avenue,
And rapidly at that,
When my progress runs me up against
An intersection at

The crux of which, depending from
A stanchion overhead,
An all-commanding traffic light
Presents two disks of red:

One to the way that crosses, one
To the way that favors me;
A situation sure to change
Momentarily.

Very little time. But time
Enough for one of those
Windows of an instant with
The power to disclose

Something at my core of cores
(Hence normally unseen)
In my assuming mine's the way
That's not to get the green.

Wednesday, November 19, 2008

A better me than me

Warm Hands
-An Horse


I’m not really scared
I just like the way that those words sound when
they fall from my mouth
and I say them too you louder love
Sometimes my hands
clap louder than everyone else
But that’s the way it stands
Cause I want to clap the loudest

But I got scared
That you might be a better me than me
Yeah I got so scared
That you might be a better me than me

You can take my socks
but you damn well better leave my gloves
Cause I need my hands to be warm like everybody else’s
Once my hands are warm
I can give them to you and then say
Please do all you can
well my fingerprints will stay the same

But I got so scared
That you might be a better me than me
Yeah I got so scared
That you might be a better me than me

We know someone that got so scared at the supermarket and you were there
And I get to hold their hand
cause they’ll get scared again
and they’ll get scared again

But I'm not really scared
I'm not really scared
I'm not really scared
I'm not really scared
I'm not really scared
I'm not really scared
I'm not really scared

Monday, November 17, 2008

The Build Up

First tournament this past weekend. I played extremely inconsistently and my head was really in the game only against stanford. I must become better as a cutter and adjust my quick dancing insta-open handler jukes into longer honest check-mark cuts. My defense was ok, but i did get roasted by Matty, Scardato, and chico state handler, but returned them the favor when i was on offense :D. A fair plus/minus differential i guess... I scored a fair amount but ehn, wasnt that impressed with myself except on a few hucks. I did have one good upline defensive stop that lead to a break against stanford which was a positive. I know i can compete on this level now. I just got to put my mind to it 100% of the time, and not just against top level competition.

I also need to work on my consistency and decision making. Having the discipline to dump the disc and not force it. I made that critical error in a tide game for rookies but still...discipline. Another point is play calling. I completely blanked out when Dollar said to call a play when i picked up after a turn and I called ninja (just to call a play) knowing myself that it was not a viable play option since Kattan was lined up on my break side. Aish, mental lapse. Gotta be chilly and more comfortable. This tournament was good overall and I know I need to be more aggressive. Instead of expecting the disc and receiving it (as a handler), want the disc and get open to receive it (as a cutter). Gotta fake more. I didn't have any drops though so that was good. but yes, whoa oh on decision making and confidence.

In lieu of my indecisiveness, a song by the Kings of Convenience and my love, Feist.

The Build Up

The build-up lasted for days
Lasted for weeks
Lasted too long

Our hero withdrew
When there was two
He could not choose one
So there was none

Worn into the vaguely announced
Worn into the vaguely announced

The spinning top made a sound like a train across the valley
Fading, oh so quiet, but constant till it passed
Over the ridge into the distances, written on your ticket
To remind you where to stop
And when to get off

The spinning top made a sound like a train across the valley
Fading, oh so quiet, but constant till it passed
Over the ridge into the distances, written on your ticket
To remind you where to stop
And when to get off

The spinning top made a sound like a train across the valley
Fading, oh so quiet, but constant till it passed
Over the ridge into the distances, written on your ticket
To remind you where to stop
And when to get off
When to get off
When to get off
When to get off

Wednesday, November 12, 2008

one year ago...

Hey Coppa,

I want to thank you for committing so much time to Ice when you're so busy with school, its sweet to have you out there during track workouts to burn all of us. As you know we're looking to shave the base roster size down to 25 or so and subsequently the coaches will be watching your play much more closely over the next couple weeks. Don't be afraid to ask them questions either cuz that's what they're there for. Here are some of your strengths and weaknesses as far as I can see:

Strengths: solid forehand, great endurance, good speed and quickness, you don't panic easily

Weaknesses: your height, backhand?, ability to "take over"

Your build forces you to fill a specific role on the team: quick handler. I think that the main thing you can do over the next few weeks to impress the coaches is to embrace that role and be the best you can be within that role. That means that you should keep working on your breaks, both forehand and backhand. Also, you should play around with some give and go plays since you're so quick. This will allow you to take over when the disc is stalled back with our handlers. Feel free to ask the coaches how they think you can best serve the team at the handler position.

Let me know if you have any questions, comments or if you think i'm wrong. Let the coaches know too.

Dibs

----------


From my point of view you need to be mistake free and get a little more agressive. If you can limit silly turnovers you should be fine. Another thing you should focus on is becoming a shut down defensive player. With your speed you should be able to frustrate anyone who steps on the field against you.

-Kevin Stuart

Wednesday, November 5, 2008

marianne boroch

since it rained today and I couldnt bike because of it...

[Note the sky, the voice said. Some say]
by marianne boroch

Note the sky, the voice said. Some say
the poem can read it. One line might start
the cloud thing. It's possible nimbus
means quick, that cumulous layers up

a lifetime of sorrow. But they all black out.
And release their rain. Their pyromaniacs
do lightning down, in a jag, a razorblade.
Stop! she said. I know all this. Jeez.

Because it rains, the voice said. It's raining
right now. And somehow that river
takes back those tears. But fish are key,
fish so stupid about it, their dull glittering

where it's shallow and light gets through.
Light? she said, you said clouding up a storm.
You said the world goes dark. What else
in there I can't see? All this roundabout.